The struggle for artistic independence: Payal Kapadia's journey from FTII protests to Cannes Glory

In the heart of India's bustling film industry, where creativity and dissent intersect, lies the story of Payal Kapadia—a filmmaker whose journey from student protests to international acclaim exemplifies the delicate balance between artistic expression and institutional constraints.

In 2015, Payal Kapadia was a student at the prestigious Film and Television Institute of India (FTII) in Pune. The institute, known for nurturing some of India's finest filmmakers, was embroiled in controversy. The cause? The appointment of Gajendra Chauhan as its chairman.

Chauhan, a television actor with limited credentials in filmmaking, was an unlikely choice to lead FTII. His appointment sparked outrage among students, who believed that the institution deserved a visionary leader—one deeply connected to the art of cinema. Payal Kapadia was at the forefront of this dissent.

Alongside her batchmates, Kapadia spearheaded a historic 139-day protest against Chauhan's appointment. They boycotted classes, held rallies, and demanded the removal of an unqualified chairman. 

Their battle wasn't just about administrative decisions; it was about preserving the soul of FTII—a place where creativity thrived, unencumbered by political affiliations.

Also Read: FTII student Payal Kapadia becomes first Indian filmmaker to win Grand Prix award for "All We Imagine as Light”

As the protests intensified, so did the tension. Kapadia's commitment to artistic integrity led to her arrest. She faced charges related to unlawful assembly, criminal intimidation, and rioting. The very institution that should have nurtured her talent now stood as her adversary.

The case against Kapadia has been ongoing since 2019. Despite the passage of time, she remains steadfast in her fight for justice. Her resilience echoes the struggles faced by countless artists who refuse to compromise their principles.

Fast forward to 2024. Payal Kapadia's debut feature film, "All We Imagine As Light," wins the Grand Prix at the Cannes Film Festival—an honor that places her among the world's most celebrated directors. Her achievement is not just personal; it's a victory for independent voices everywhere.

Prime Minister Narendra Modi congratulates Kapadia, acknowledging her exceptional talent. Yet, the irony isn't lost on anyone. The same government that once silenced her dissent now celebrates her success. FTII, too, claims credit for nurturing her—a narrative that glosses over the struggles she faced within its walls.

Payal Kapadia's journey resonates beyond the confines of FTII. It symbolizes the delicate dance between artistic freedom and institutional control. For a democracy to thrive, voices like Kapadia's must remain independent—unafraid to challenge the status quo, even when it means standing up to authority.

Recently after winning the award for her film, she released a statement. She said, “People at Cannes asked me why it is taking 30 years for a film to be selected. While I did ask the selection committee this question, we should also ask ourselves this as well. Why can we not support more independent filmmakers?”

She added, “One of the reasons I was able to make this film is because of the French Public funding system and I would like to take a moment to talk about this system. In France, a small tax is levied on each and every ticket sale of a film as well as a tax levied on TV channels.”

“From this the CNC fund is created that allows independent producers and directors to apply for funding. Distributors and exhibitors also get funding to distribute these films once they are complete.”

“In our country, charging audiences a tax would be rather unfair. However, a tax on the profits made on blockbuster films can surely help in funding an independent film fund. If such a system was made in our country with an autonomous body to run the fund, & would only encourage more and more independent filmmaking.”

“For a democracy to thrive, voices need to remain independent from big studios that are run by rich industrialists.”

As we celebrate her Cannes win, let's remember that artistic expression isn't a privilege; it's a right. Institutions must foster an environment where dissent is welcomed, not suppressed. Kapadia's victory reminds us that the struggle for creative autonomy is ongoing, and artists are its torchbearers.

"Payal Kapadia's story embodies the spirit of artistic resilience. Her success at Cannes is not just a personal achievement; it's a testament to the strength of unwavering dedication. 

As she persists in her legal battle, we should acknowledge that real independence is found not in awards or titles, but in the bravery to stand up to those in power."

In the corridors of FTII, where once she protested, Kapadia's legacy now stands tall—a beacon for future filmmakers, reminding them that their voices matter, even when the odds seem insurmountable.