Aligarh, March 27: Dr. M. Nazrul Bari, a distinguished scholar from the Centre of Advanced Study, Department of History at Aligarh Muslim University, recently participated in a three-day international conference focusing on ‘History, Art, Archaeology, and Culture’. The conference, organized by the Himachal Pradesh State Museum in Shimla, provided a platform for scholars to exchange insights and research findings on diverse aspects of ancient civilizations.
Dr. Bari contributed to the academic discourse by presenting a research article titled, "Characterisation of Deer in Early Indian Art (An Archaeo-Literary Analysis)". His presentation delved into the profound symbolism and significance of deer in ancient Indian art and literature, offering a nuanced perspective on the cultural and religious dimensions associated with this majestic animal.
During his presentation, Dr. Bari highlighted the enduring relationship between humans and deer, tracing its roots back to the Musterian period of the middle Palaeolithic age, as evidenced by archaeological findings in Qafzeh, Israel. Beyond mere hunting, Dr. Bari underscored the special significance attributed to deer in various ancient civilizations, reflecting a deeper spiritual and cultural connection.
One of the key aspects explored by Dr. Bari was the religious representation of deer in the ancient literature of Brahmanical, Buddhist, and Jaina faiths in India. Through a meticulous analysis of textual sources, Dr. Bari unveiled the multifaceted role of deer in religious narratives, where it often served as a symbol of divinity, fertility, and spiritual enlightenment.
Furthermore, Dr. Bari shed light on the depiction of deer in Indian paintings and sculptures, emphasizing its prevalence as a motif across different artistic traditions. The hunting of deer, Dr. Bari noted, frequently found mention in ancient texts, reflecting its symbolic significance and association with various deities and goddesses.
Dr. Bari's research not only enriches our understanding of ancient Indian art and culture but also underscores the enduring resonance of symbolic motifs across different historical epochs. His scholarly contribution at the international conference serves as a testament to the interdisciplinary nature of historical research and its relevance in contemporary academic discourse.
